Hello Know Me ME2011, which may very well be the motorcycle jacket pattern of my dreams.
(image copied from the Simplicity site)
Granted, I jumped right into it by making a lot of changes before cutting any fabric. Since the pattern is "men's" size, I started by folding out 2"/50mm of length in the torso. Then I looked at the set of zippers I was going to use, which I had ordered to use in Burda 6800, and shortened the jacket another 1"/25mm, re-drafted the side pocket zipper opening marks to be shorter, took two inches out of the sleeves at the zipper, and omitted a pocket completely, all so so I could use those stashed zippers. I also shortened the sleeves by another inch, which may have been unnecessary. And then I intentionally cut the asymmetrical front pieces opposite of how the pattern wants.
Since this was an entirely new pattern for me, and I made so many preliminary changes that I wasn't entirely sure about, of course I decided to go ahead and use some thrifted vintage fabric that I'd been saving for years, with the idea added in the last few years that it would be perfect for a motorcycle jacket...but...not Burda 6800.
(As an aside: I can imagine situations where Burda 6800 may be used, especially for mixing fabrics. I do still like Kwik•Sew 3764 for quick moto jackets made from knits. Someday I will revisit Vogue 1714 for an elegantly be-peplum'd motorcycle jacket. McCall's 8121 was all around disappointing. And, at this point, I'm not sure if I'll ever try the other two motorcycle jacket patterns in my stash, McCall's 7694 and Butterick 6169.)
So I dug out the intended fabric, which had been stored with a coordinating lining fabric, and immediately realized that there was about a yard less fabric on hand than the pattern wanted. I knew the fact that the pieces were now shorter would save a little fabric, but not much. I also knew that the way I generally fold only enough fabric to cut one pattern piece at a time always ends up using less fabric than the patterns want, and that's with paying attention to nap/print direction, and sometimes even squeezing in a bit of print matching. I made plans for which pattern pieces I felt I could cut from a contrasting fabric in a way that would look intentional, and saved cutting those for the end.
I got everything cut with a piece to spare that was big enough that I could have re-cut any one piece if needed to avoid the loathed repetition of print elements on either side of an opening or seam, which could have been an extra danger in this fabric, because the print is a single spray of flowers in a dropped offset with no variations. I did not, however, need to do anything to avoid that.
Everything, as they say, came up roses.